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Fanon:Esomena Protogena: Difference between revisions
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Like Chrysanthema and Pyrrha, Esomena happened to be an orphaned kid chosen by chance to be a disciple to the Church. While Chrysanthema was noted for her discipline, and Pyrrha austerity, Esomena did not have those personalities that are upheld by the Church as virtues, and thus was overshadowed by both Pyrrha and Chrysanthema in general. However, Church laws ensured that Esomena was not left out, and Kallisto as her tutor taught Esomena, and Esomena always had the Church's collection of tomes. However, the Church was not all for music and other sorts of demagoguery, since there was an implicit tenet that content should be prioritized over appeal somewhat reminiscent of Apostle Paul, although that would change when heresy was deemed to be growing ever so rampantly that led to the desanctification of the role of the missionary.
However, Esomena was found to be of great use to the church despite her lack of natural talent for most of the Church things, although when Esomena grew as a teen in their visit to Twinbrook Esomena obtained a knack for repairing. As such, Kallisto wanted to train Esomena as an engineer to succeed the engineering and tinkering tradition of the Church. However, Esomena's great use was when Kallisto drew a greater picture for the church: Kallisto wanted Demetria in: Demetria might have been more of a musical and social sim, but Demetria's diverse set of skills was all too welcome to the Church, and especially so since Achaia was on the opposition to the Church. Kallisto would get Esomena set up with Demetria: Esomena's affinity for music would make it easy for Esomena to pair up with Demetria.[[File:EsomenaOnFire.png|thumb|left|Do not panic!]]
Esomena was loyal to the church, and more conveniently, did not have the ambition to seek independent source of power. In that way, Kallistrata was envious of Kallisto, since Kallistrata's disciple Chrysanthema was not satisfied with future power with the Church alone.
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